Making a Digital Portrait of Scarlett Johansson

Making a Digital Portrait of Scarlett Johansson

It's a digital age, one doesn't need a subject to pose before them for hours, simply a photograph is enough. Graphic design student, Sri Harsha Andukuri takes us through a step by step guide on making a digital portrait of any famous celebrity, in this case, Hollywood's own Scarlett Johansson.

Step 1

Fixing the Canvas and Preparing the Outline

The process of portrait begins by fixing of the canvas. This is achieved through Photoshop, where a new file is opened with an A3 size. This is followed by creating an outline of the image using a red colour, on a new layer. The colour red is selected because it highlights profiles and edges in the middle of the painting. Then, marking of highlights and shadows in a new layer using red colour and a textured brush with opacity 7% and 14%.

Step 2 

Filling Base Colour for Skin

Once the above step is completed to satisfaction, a colour palette of shades, tints and neutrals are made for the skin. A new layer is then added and a neutral colour with full opacity is used as the base colour for the body. At this point, any colour exceeding outlines is erased.

Step 3 

Detailing the Face

This is then followed by creating a new layer yet again, where the base colour of the eyes is filled using a brush with full opacity. Here, colours exceeding any outline are erased. Subsequently, a new layer is created for highlights, shadows and details for the eyes. The next step requires painting in highlights and shadows of the nose and other facial areas using a colour palette with a textured brush bearing 7%, 14% and 21% opacities.

Step 4 

Detailing the Lips

Following the fixed colour palette, a base colour is filled with 100% opacity first for the lips. Highlights and shadows of the lips are drawn in a new layer with a small size textured brush with 7% opacity. Using a small brush at this point enhances precision and detail.

Step 5 

Painting Rest of the Skin 

Going further down, shadows and highlights of the neck area, collarbone and chest are painted using the colour palette for the skin.  Used a textured brush of opacity 7% and 14% in a new layer.

Step 6 

Painting the Dress 

In a similar way, the base colour, shadows and highlights of the dress and its drapes are painted. Here too, a separate colour palette is fixed for this.

Step 7 

Painting the Hands 

Keeping shadows and highlights in mind, the arms are also painted in a similar way as in step 5.

Step 8 

Detailing the Hair 

The most challenging part of the portrait is a painting of the hair. The most time-consuming step; a new layer is filled with the solid base colour of hair, taken from a selected colour palette. Carefully then, hair is divided and marked into different parts according to its flow. This is followed by the creation of another new layer in which a number of strokes are drawn along the flow of hair in each and every part which is marked. A new layer over this one is then added which is used to blend all these parts using a brush with less opacity, in order to link the hair flow.

Step 9 

Fixing the Background

Finally, a new layer is added below all of these layers and filled with a solid colour. A shade of the base colour is selected, as in the palette, and is painted in a new layer to create a vignette feeling to the background. Another layer is subsequently added in which a 30% opacity gradient of black colour in multiple modes is employed. Upon completion, save the file as a jpeg and open in Adobe Lightroom where the portrait can be post edited for the desired outcome.

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