Learn the Next Skill on Your Own - says TP Vineeth!

Learn the Next Skill on Your Own - says TP Vineeth!

In the world of creative design, TP Vineeth's journey is a source of inspiration. His path from graphic design to motion artistry is a testament to the power of self-taught dedication and a passion for the unusual. In this insightful Q&A, TP Vineeth takes us through his voyage of self-discovery, the advantages and pitfalls of being self-taught, and the magic of combining graphic design with motion artistry.

Q

Hi Vineeth, your journey from a graphic designer to a motion designer is inspiring. Can you share the pivotal moment or realization that led you to make this transition, and how did you decide to take the self-taught route?

A

Thank you for the compliment. Really Appreciate! As a young designer, I was always concentrating on 3D illustration. The process started with texturing an object, then lighting and creating the scene. If that looks appealing to me, then I transform it to motion. I was always passionate about what I was doing in this creative industry. The journey was not easy, but it was definitely the result of dedication, being constantly updated about the evolving techniques and determination.

As an aspiring designer no matter what, I wanted something out of the box added to each and every creative I worked on. Seeing the potential of adding movements to the creative always made me realize that transitioning to a full-time motion designer was inevitable. Self-assessment played an important role in understanding the skills I require for further career journeys. Continuous learning throughout the process has helped me to stay focused and committed towards the industry and it also paved the way for new freelance projects.

Q

Learning on your own can be both challenging and rewarding. What were the advantages and disadvantages you encountered during your self-taught journey into motion design?

A

A self-taught journey allowed me to set my own pace by making choices that align with the values and priorities in my personal and professional life. Starting to build a portfolio was the first step. As a self-made person, the freedom to explore different aspects and vast opportunities around the motion graphics industry did not limit or make me stick to any specific curriculum. Also, self-taught techniques are lifetime assets that are never to be forgotten.

And of course, challenges are fated. But competition in the market, limited feedback, gaps in knowledge, and sticking to the same Cinema 4D confronted me profoundly as a budding young motion designer.

Despite all obstacles, adhering to self-confidence and single-mindedness has made me what I am today.

Q

Your experience as a self-taught artist culminated in your journey from graphic design to motion design. How have these experiences contributed to your skill set and creative vision?

A

My skill set and creative vision were shaped by a combination of various aspects, including education, life experiences, interactions with others, learning new techniques and tools, and taking risks in the career path. Building relationships and collaborating with others introduced me to new ideas and perspectives. On top of which, undivided attention and enthusiasm played an important role, making me composed and focused throughout the creative journey.

Q

Many aspiring artists and designers look up to you for guidance. Could you share the specific resources or online platforms that were instrumental in helping you acquire the skills needed for a motion graphics artist?

A

Becoming an expert in motion graphics certainly requires a lot of effort. Hands-on practice and personal projects can also help aspiring motion graphics artists to develop the skills to create a strong portfolio. By mastering software like Adobe After Effects, Cinema 4D, etc., will bring you confidence to sustain in this field. Tutorials from GreyscaleGorilla provided me with immense access to a kickass library of award-winning plugins, curated 3D assets, materials, textures, and HDRIs.

Also, if you have noticed, Adobe's official website even provides resources and tutorials for After Effects. Apart from this, reviewing online portfolios, podcasts, and blogs helped me a lot. And utilizing social media platforms & YouTube played a vital role as well.

Q

For those who aspire to follow a similar path of self-learning and career transition, what advice would you offer regarding choosing the right learning platforms and staying committed to their creative goals?

A

Staying focused during the self-learning process needs a lot of dedication, patience, and, foremost, having a clear set of goals. Creating a roadmap will surely help achieve different milestones to celebrate. Consistency is the key here, and understanding, accepting feedback, and failures also will assist in keeping the passion alive to continue learning and progress towards the creative goals.

Q

Could you highlight any specific projects or milestones that marked significant growth in your journey as a motion designer, and the lessons you learned from them?

A

Absolutely! Working with Microsoft had always been a dream of mine. Microsoft Clipchamp brought me on board to help expand their content library. This gave me the opportunity to create 3D backgrounds for their Mobile, Tablet, and Desktop versions. Throughout my career, I've also had the privilege of collaborating with other major brands like Cadillac, Samsung, Vivo, and OnePlus.

I believe that seizing the right opportunities requires a combination of preparation, persistence, and adaptability. With the right mindset, there are no limits to our career growth.

Q

In the fast-evolving world of visual effects and motion graphics, staying updated is crucial. How do you keep yourself informed and adapt to new trends and technologies in your field?

A

Staying current in this rapidly changing industry is essential. I regularly keep myself informed about the latest developments and emerging technologies in the world of motion graphics and visual effects through continuous research and adaptation. Platforms like Behance by Adobe have been instrumental in this regard. I've also found that experimenting with personal projects, collaborating with startups, participating in workshops, and engaging with various creative communities have exposed me to industry best practices and helped me stay updated.

Q

Lastly, what does the future hold for your studio, ANIXVINPAN? Are there any exciting projects or creative endeavors you're currently working on, or themes you'd like to explore in your upcoming work?

A

ANIXVINPAN has some thrilling projects in the pipeline. Currently, I'm working on channel idents for an exclusive project and other contractual assignments with well-known international TV channels, which I can't disclose at this moment.

As for future creative endeavors, my bucket list includes creating surreal and dreamy visual effects, experimenting with unique and minimalistic designs with a modern aesthetic touch. I'm excited to explore different colours, shapes, textures, and concepts to evoke intense emotions and a keen sense of detail in my artworks.

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