How Do You Price When You Go Solo?

After leaving the structure of agency life, illustrator and muralist Sayan Mukherjee shares what it really takes to build a creative practice on your own terms - pricing, purpose, and personal growth included.
Every Living Thing - 
A book cover for
Penn State University
Press
Every Living Thing - A book cover for Penn State University PressMockups Design
2 min read
Q

Your work is vibrant and narrative-rich in murals, editorial, and character design. Did you ever have a moment where you thought, “This is my style, this is my identity”?

A

I’ve always drawn inspiration from my surroundings, the people, places, and the vibrant culture I grew up in. My style is a natural reflection of the world around me. I’ve long been drawn to bold, expressive colours and thick strokes. It was never a conscious decision to define a “style”, but over time, as I explored and grew comfortable with certain mediums, this visual language evolved organically into what feels most true to me.

The Gita For Children - Hard Cover
The Gita For Children - Hard Cover
Q

You’ve transitioned from working in structured ad studios to full-time independent illustration. What motivated that decision? And creatively, how has it changed the way you think about your work?

A

I always aspired to be a freelance visual artist, but I ended up spending over eight years in the corporate world. Working in ad agencies never brought me joy; I felt disconnected from the kind of work I truly wanted to do. I longed to create meaningful art and tell stories through my visuals, but I found myself caught in the constant hustle of the advertising industry.

Eventually, I made a conscious decision to step away from that structured environment and rediscover the world on my terms. I wanted to build something of my own, create my art and slowly start a few creative ventures. That journey is still unfolding, but it has already been the most creatively fulfilling decision I’ve ever made.

I realised I could never truly grow under someone whose vision didn’t align with mine. That’s what I had been struggling with throughout my time in the corporate world. Leaving was a long-overdue step toward finding my own voice.

74th Indian Independence Day
74th Indian Independence Day
Q

You create across formats—murals, editorial, digital, and advertising. How do you shift your mindset for each? Are some projects more fulfilling?

Read the full article & much more in the Print Edition of Issue 68
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