
The name De Icebreaker implies openness and conversation. What does it mean to you, and how does this philosophy influence your design approach and work?
De Icebreaker represents our operating system, driven by a fascination with inertia, the gap between a brand’s intent and a person’s interpretation. Many designs fail by being one- sided, and our role is to bridge that divide.
Breaking the ice involves easing the tension between business goals and human intuition. We’re fostering meaningful conversations through design, turning noise into dialogue.
In the studio, we prioritise alignment and questioning the message’s importance over sketches or mood boards. We view visibility, functionality, and viability as interconnected, aiming to create pieces that attract attention, function well, and support long-term business sustainability.
Balancing these elements enhances our effectiveness. The Icebreaker facilitates meaningful exchanges, using design to create impactful connections.
What do those first client conversations reveal, and how much do they shape the collaboration?
We often joke that the first client meeting feels like a first date, full of curiosity, awkwardness, and reading between the lines. Beyond the brief, we try to understand how clients think, decide, and communicate. That early chemistry matters because honesty and clarity at the beginning usually shape the entire collaboration.
This issue explores 'Pitch or No Pitch'. How do you approach collaboration before jumping into solutions?
We’ve consciously stepped away from the traditional pitch cycle because it often rewards speed over thoughtful work. Instead of treating a pitch like a polished performance, we begin with observation, understanding where a brand’s intent and its real-world presence don’t align. Sometimes, that means reaching out even before a brief exists.
For us, a pitch is less about presenting finished solutions and more about starting a conversation. It’s about identifying what could be stronger and building clarity together. That shift changes the dynamic. We’re not competing to be chosen; we’re starting a partnership built on shared clarity and intent. In the end, a brand is shaped by the people running it every day, and their belief in the thinking matters far more than a presentation.
Have there been times when you chose not to pitch? What informed that decision?
For us, it’s about knowing when to engage rather than avoiding pitches. We step back when there isn’t enough understanding of the problem or when there’s no openness to discuss the brief honestly. This often leads to guesswork.
We also refrain from participating in comparison exercises, where decisions are based on immediate impressions rather than long-term value. It’s not about winning projects; it’s about ensuring the right conditions for meaningful work. If those conditions aren’t met, we choose not to participate.
If not pitching, then what? Do you use discovery sessions, workshops, or strategy talks to foster meaningful collaborations?
If we’re not pitching, we focus on creating space for collaborative thinking. Our approach is flexible, adapting to the situation - whether that means a conversation, working session, or structured meeting.
These initial interactions are about fostering alignment and uncovering assumptions, clarifying the ‘why’ to ensure everyone is aligned before defining a direction. This shift changes the nature of collaboration; instead of merely reacting, the client actively participates in shaping solutions. When ownership is established early on, the work gains clarity and conviction.
Pitching raises concerns about unpaid creative labour. How can you protect your team’s time?
Protecting our team’s time starts with valuing what we sell. We’re shifting from a 'free sample' approach to a paid discovery phase to ensure our team’s mental effort is respected from the start. Our goal is for designers to be thoughtful observers, not just creators of options.
Many clients think 'real work' begins with visuals, but significant work occurs before we present the first sketch. It’s in the deconstruction of the brief, contextual research, and finding clarity that the strategy develops. This 'invisible' labour is vital; skipping it compromises a brand’s foundation. We take our time seriously because that deep thinking is what clients truly pay for; the visuals are just the outcome of that thought process.
For young studios and freelancers, saying no to pitches can feel risky. How should they decide what’s worth their time?
For young studios and freelancers, declining pitches can feel risky, especially when every opportunity seems important. However, not every project is a genuine opportunity; many can be distractions.
Experimentation is crucial in the early stages to discover your preferred style. To simplify decision-making, we developed a quick gut check; does this project excite us, connect us with the right people, and offer fair compensation? While it’s rare for all three to align, having at least two makes it worthwhile to explore further.
This approach helps avoid saying yes out of fear. Ultimately, it’s not about taking on more work, but about pursuing projects that advance your goals.
If you could redesign how creative collaborations begin in this industry, what would you change?
Creative collaborations are evolving, but we envision a more open and fluid beginning. Currently, project starts can feel too closed off. We’d prefer them to resemble a café atmosphere - filled with curiosity and natural conversations, leaving everyone feeling refreshed.
Collaboration’s true value lies in merging diverse perspectives, not just those from the same industry. The resulting contrasts enrich the work. This approach requires starting with curiosity rather than certainty; you don’t need all the answers initially.
We should shift the expectation from coming in with fixed expertise to being open to discovery. It’s about creating a shared space for exploration and building a foundation together rather than merely delivering a final result.