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Sushant Ajnikar, who draws inspiration from the vivid display of India’s art and colours, a designer in his office, but a parent to homeless little pups on the road, a caring husband to a worried wife, and a rider on the road enjoying the journey, the beauty that is riding. He rides to connect to the reality and more to meet his four-legged friends on the road, who are forgotten and ignored. Hop on to enjoy the ride further!

The design is an amalgamation of myriad things born out of the million thoughts crammed in our gray cells, where inspiration takes form in different shapes and colours. You feed your brain with all kinds of stimuli and when you sit down to churn out something, you never know what may actually trigger a thought. Riding gives me every stimulus I may ever need and hones my creativity. And that’s just one thing.

1. Riding Teaches To Be Disciplined

Both on and off the road. Discipline doesn’t curb creativity but it makes sure that what you intend to do, actually sees fruition. Learn to have discipline in doing my research. Discipline in following a plan and going about it or atleast try to.

2. To Be Brave

Be brave enough to ditch routine, and take on a new route. Try something new. Learn something different.

3. To Be Flexible

I cannot ride with the assumption that my life’s going to be sorted with all the facilities I want. I have to be flexible enough to adjust to any kind of adversity or scenario or surprises. Bingo for design (a designer). Flexibility is creativity’s best friend and a creative person should always be ready to adapt.

4. To Get Hands Dirty and Be Humble

I cannot do 16,000 km without getting some elbow grease, without sitting in the mud on a hot summer’s day, drinking water from a tap. Similarly, I will never succeed as a designer if I don’t do the groundwork. I need to start at the bottom, to get to the very top. No shortcuts here.

5. To Accept Fears

I am human and being scared of the unknown is only natural. But I need to accept it so that I can resolve it. In design, if something is challenging enough to scare me, I should be able to address it, instead of sitting on it, pretending to be cool and making unnecessary mistakes, as no one likes a smartass who knows nothing.

6. Makes You A Keen Observer

I observe everything. I now notice things that I wouldn’t have earlier and there is such joy in observing. The more I observe, the better I am able to sketch my memories out, the more I am able to adapt them to the design, if at all.

7. Teaches To Embrace Failure

When you are on the road, you may have these goals that you set out to achieve. However, you may not see its fulfillment, and the reasons cannot be controlled. And that’s completely okay. The best part of failure is that you get a second chance to do it all over again. You know what to expect then, what to do or not do. The same applies to design rejection and failure is as much a part of this industry as glory is. I need to be able to accept, learn and move on. You almost always end up doing better.

8. Riding Teaches To Keep it Simple

Don’t complicate stuff. Ask any self-respecting designer what they think is the best design and simple will almost always being one of the words that will crop up. Simple isn’t boring, simple can be adventurous, simple can be fancy, simple can be exciting, simple can be anything, it’s just how simply you are able to convey or do what you want to do

Published in Issue 33

We all face it! But everyone has their own unique way to come out of it, in this issue we try to explore different ideas of handling the ‘Creative Burnout’. The most common of all was #travelling, through everyone do it in their own unique style. Like Luke Ritchie from South Africa finds the nature and mountains as the best source of inspiration while Sushant Ajnikar says riding his bike and meeting four-legged loyal friends, dogs, on the way is the best way to learn. So, pack your bags and don’t forget to subscribe your copy before you leave!


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The barriers have broken and the people unified, all thanks to the World Wide Web. This, for designers is nothing less than a revolution. British freelance graphic designer, Chloe Galea, who now lives in Berlin, has made the most of this invention to provide modern designs for clients situated worldwide. Here, in a conversation with Creative Gaga, she tells us more about how she reaches out to the wider audience with her design and technology.

CG: Your designs seem very systematic, columned and well-organised. Is this your style? How do you and your design sense and techniques change when designing for the web, as compared to other canvases?

Chloë: Order and space are vital components in digital designing. I think it is aesthetics that I appreciate in many aspects of my life. As my flat is certainly bright, airy and decorated in a fairly limited palette. Plus, I think that my continued interest in print and editorial design has meant that I am always working with grids and looking at how best to structure the content I am given. The basics don’t change much when it comes to designing for digital or web either. The style still employs a grid, where careful attention is paid to typography and its hierarchy. At the same time, it is vital to strike a visual balance that makes the design look right. There are obviously different restraints that must be taken into account when working on print or digital design, but other than these technicalities, nothing much changes.

CG: Being European, where art and design are culturally embedded and dates back to memorable artists and evergreen creations; how are brands, clients and audience taking to the present web activity?

Chloë: It’s like homogeneous mixture, where it’s hard to separate both. There are certainly a few established brands I have worked with in London that have struggled to keep up with all the new technological and social developments. But I think everyone knows just how important it is now to have an intelligent curated presence online, to actively engage with the audience and stay up-to-date with the latest digital and web trends. That all said, the print isn’t going anywhere; it is ever evolving and finding new ways to remain relevant.

CG: As a designer, how do you stay abreast of latest design happenings and creations? How do you reach out to the world? How much do you depend on the web and how much does the web depend on you?

Chloë: There is no rocket science involved. Reading is important, spending time online is important. I lose hours to Pinterest as well as get out of the house, walk around the city, meet up with like-minded people and make a point of attending industry talks and events. While it would be a mistake to rely on the internet for all creative inspiration, I think no one would deny just what an amazing resource it is. It’s also a boon for freelancers out there as it facilitates promotion and communication with clients regardless of where they are in the world.

CG: What would be some traits and qualities that you feel should be present in a designer to be ready to create for the times of today? Have you had the opportunity to visit or work with any Indian clients?

Chloë: I went to a talk recently at Betahaus, Berlin and the speaker said there are three things a designer needs to be: talented, punctual and likeable. In terms of Indian clients, no I haven’t worked with any. However, I have spent some time in India and would love the opportunity to go back!

Published in Issue 25

Creative Gaga kicks off the year with an issue that asks the important questions, is it the web that’s leading the brands or the other way around? With 2014 witnessing an increase in brands investing in digital marketing, 2015 will only be bigger. We can say India has accepted the revolution, where more and more people are opening browsers to e-commerce, literally window shopping, and setting up shops online as well. The issue brings together renowned designers with digital experience, who discuss and throw light on the pros and cons of this change and where we possibly are headed with this in the future.


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