Don’t just put a font for the sake of it, put it for creating an impactful impression on the reader. Browse through this list of 18 best calligraphy fonts to achieve your target.
Fonts are known to be the most important element of graphic design. Balancing the rest of the design with the type of font to be used is quite a challenging task for a designer.
It is but necessary to have the right font, not too much, not too less, to have a long-lasting impact of the message to be conveyed to the readers.
From what was done manually ages ago using ink and brush to create graceful calligraphy has now gone all digital, but still with the same look and feel of the hand-crafted old-time beauty.
Life and work have become much easier with the presence of the button, ‘download’ ! Take a look at these calligraphy fonts and choose the one which makes your work look its best by downloading it at no cost!
A smooth and flowy typeface designed with an intricate level of detail, Candlescript is suitable to be used as a logotype, custom typeface, title, header or advertisements.
Mike Ferrari is a typeface based on the Spencerian Script. Composed using elegant and beautiful strokes, it is just the perfect font to gracefully colour up any project with a human touch.
A high-quality script font with multilingual support and a large number of special characters, Feathergraphy is a hand-crafted typeface that can be used for logotypes, titles and slogans as well as a tattoo style font in clean and decorated versions.
A nervous script font, Meat Buckets comes with a taste of old-school style. Going for a full commercial version allows an extra 86 alternates, contextual ligatures and underlining to be used for a charming and elegant calligraphy.
An exclusive from The Font Bundles Store, Olivia Script is a sophisticated, graceful and modern calligraphy typeface complimenting the look of wedding invitations, greeting cards, posters, wall hangings and the likes.
Simple, clean, legible and casual characters describe Allura as an almost handwritten calligraphic script. Designed keeping advertising, display and packaging design in mind, Allura comes with extra alternate glyphs and flourished graphics, giving the professional designer a maximum flexibility.
Translating personal handwriting taken from the pages of calligraphy into characters for Kaligraf Latin, this font includes a few ornaments useful for creating typographic pages.
An elegant script typeface available in two versions, black and white, Qaskin comes across as a light-hearted font, illustrating fun and frolic.
Confident and showy swashes suggesting the style of the American-West, Pinyon Script is a romantic round hand script style font. Defined by slants and high stroke contrasts, this aristocratic style is friendly for large size texts.
Inspired by the Gothic and Medieval styles of design, Plain Germanica is a font face reminiscent of the historical beauty of those eras, transporting the reader back in time.
A perfectly imperfect hand-drawn font in dry brush styles, Playlist consists of 3 styles namely script, caps and ornament, which can create a beautiful design when jumbled in an orderly fashion.
Winding around in a swirly fashion, Qwigley is the font-face for decorative letterforms. Contemporary in style, it has a feminine feel to it, delicately embellishing the calligraphic typography.
A handwriting font ideal for logotypes and headlines, Kadisoka is a script that comes along with a variety of ligatures, stylistic alternates and sets to be tried out for amazing graphics outcomes.
A cursive font with intermittent connections beautifully mimicking hand-written text, Dancing Script OT works as a visual style statement. Each word beginning with a letter in caps which goes below the baseline, it is just the quintessential font for a modern-stylized casual look.
A handwritten typo with grain effect, Fabfelt Script font comes with a retro feel. This is a monoline font, is just a perfect match for branding and headings.
A script with clean and clear flowy connections, heavy strokes and dramatic caps, Great Vibes is a font for breaking the monotony of design with its encircling ascenders and descenders.
Inspired by American sporting calligraphy, namely vintage baseball cards, Playball is a connecting script, demonstrating athleticism, boldness and masculinity, thus making it perfect for festive informal and sporting occasions.
A modern brush script, Pacifico is inspired by the American surf culture of the 1950s’. A slight touch of the retro style, it makes for an apt solution for a bold and engaging calligraphy font.
We go through many interesting design projects each day and find them inspiring enough to be shared further. Projects which have the potential to inspire and spark multiple ideas. So, here are few selected one for this week’s design inspiration, enjoy!
Sasken Annual report illustrations by Danny Jose
Packaging & Branding of Mochila by Swt & Co
Contours by Katt Phatt™
Kenjo Fonts by Anthony James
Packaging & Branding for GoodHair – Hair Care Range by Meroo Seth
Pleinair Illlustrations by Jithin Puthenpurakkal
Branding for Vortex events® by Mohamed Samir
Designit Rebrand Visuals by Shaivalini Kumar
If you have any of your design project or someone else’s, which is equaliy inspiring for fellow creatives, then share it with us on Contribute@CreativeGaga.com
Extravagance can be deceptive. Three art forms – photography, styling & illustration – are thus merged to create The Bizarreness Called Beauty by Lucky Dubz Trifonas, a visual portrait of the unfavourable side of contemporary fashion industry.
The attempt was to break the veil that exists between the fact and fiction of fashion business. Sexualising and objectifying models are practices that are sustained casually off and through the ramp. Shaking away this indifference, these realities are openly brought to the forefront.
Bad dreams, sinful desires and strange fashion statements have been constantly represented throughout the series. Precise photography and loud hairstyles provide a conducive environment to depict these representations.
What resulted was a not-so-pretty picture of what is otherwise posed as charming. Pronouncing loudly the uncharismatic in a brave tone, this depiction is a pointed stare into the ugly traditions and practices thriving within the fashion world.
Rob Draper is an artist and designer based in the UK, who is passionate about creativity and lettering. He specialise in hand lettering for branding and identity, editorial, large scale works, retail and apparel.
With this project, Rob wanted to go back to basics. The inspiration came from how elaborate can he take the ballpoint pen and the most ignored everyday items – Plastic bags, kitchen towels, pizza boxes, newspapers and more?
One of the most popular and commonly used typeface/ font ‘Helvetica’ has been redrawn by the designers at Monotype to suit the needs of a modern day contemporary artist, reader or writer.
Used by numerous students for their projects to be used by brands like Apple and Nestlé in their logo designs, Helvetica is one of the most widespread and universal typefaces utilized around the world, thanks to its simple and crisp design. Originally created by Max Miedinger and Edward Hoffman in 1957, this Swiss typeface has been used by countless brands and has managed to remain quite popular even today. To keep up with the modern standards of this decade, Monotype has reintroduced Helvetica as “Helvetica Now”, which is simpler, clearer and more sophisticated than its predecessors. “The design introduces a new chapter in the Helvetica story- expanding its look and utility while reinvigorating its heritage”, says Charles Nix, type director of Monotype.
Helvetica Now has been upgraded to provide more alternatives for graphic designers and creative professionals, like having size – specific drawings with size – specific spacing and a wide range of fonts and sizes to choose from. Completed over a span of 4 years, the designers have carefully redrawn all the existing characters and produced a new family of fonts: 48 fonts with 3 optical sizes to be precise; which include micro, text and display. Overcoming the limitations of the previous typeface’s spacing and legibility, the three new optical sizes have broadened the scope of Helvetica.
Helvetica Now Micro has alterations like a larger x-height with wider forms and open apertures making it highly comprehensible even at smaller sizes (4-7 points). On the other hand, Helvetica Now Display has been enhanced to be more eloquent when it comes to big and bold messages as it eliminates the need to make physical adjustments to the spacing. The size which is ideal for reading and information-rich domains, Helvetica Now Text has weights ranging from Thin to Black, alongside adequate spacing and kernel, which makes is pleasing to read.
Apart from these sizes, the designers have worked meticulously to also create brand new alternate glyphs in this advanced Helvetica family. A single story ‘a’ and a straight legged capital ‘R’ with their own alternates of each weight and optical style has also been included. The designers have gone all way to provide a wide range of alternates for different purposes and have also included a suite Helvetica arrows.
Monotype has successfully modified and redrawn 40,000 letters of the older version of Helvetica and produced a font that is more applicable in modern times and provides more scope for designers. Helvetica Now is now available for people and can found on Monotype’s cloud-based font discovery system ‘Mosaic’. It can be bought as single weights or the complete typeface families at different prices.
Words can take your breath away, more so, when the words are written in mesmerizing hand drawn letters. Tobias Saul is a freelance designer based in Düsseldorf, Germany, and specializes in letter design. Here is an assortment of his work between 2017 and 2018. The range in style and depth of detail is absolutely mind boggling in this collection.
Tobias Saul gives a lot of thought to each of the lettering designs, where he plays with vintage ornamental elements to contemporary clean layouts, all the way exploring and creating delightful compositions.
Onassis Cultural Centre, a space that brings together people to express and discover diverse art and contemporary culture, needed a visual identity that translated the same. And Beetroot Design shows us how it’s done.
Onassis Cultural Centre, a platform for artists to come together to showcase and discover contemporary bold art, required an equally bold visual identity for the season 2017-18. This Athens based institution needed the identity to be open and relevant to everyone, thus reflecting the core idea behind OCC.
Beetroot Design Group, a multi-award winning, Thessaloniki based design firm, explored and created a visual identity for OCC, that is made for everyone, and yet so unique. Beetroot achieved thus by putting together all the typographies from the publications and events of the season, thus portraying them all under one visual identity. For this, the firm specially created software, Flow Type, which is now available for free. The software helped handle the high volume of typographies and played a key role in their manipulation, thus resulting in expressive free-flowing words.
The overall visual identity is an explosion of energy, colours, movement and boldness. Each piece of work is vastly different in its expression, but it is beautiful how they all come together to narrate a single story.
Illustrators and designers from all over the world have fun participating in this project called ’36 days of Type’. Supernova Design, a Los Angeles based studio, presents their take on the project. The approach and style is very quirky, fun and upbeat. The colour palette is vibrant and exuberant. What is interesting is the story behind each of these types. And the layered details makes the composition all the more captivating. It’s not easy to work with a lot of elements, especially trying to find a balance between them all.
Here Supernova Designs handles a mixed bag of elements with panache and shows the viewer a spectrum of possibilities.
While creating an illustration, it’s important to carefully choose every element that goes into the work. Every aspect should add to the overarching concept. And this is what we see with the Roudra Bhangi illustration by Ibrahim Rayintakath.
Through this illustration, the touching story of a Guru-Shishya relationship is laid in numerous layers of colours, depth, patterns and emotions. The dizzying patterns, bold colours and layered shadows, all work together to draw the viewer deeper into the story.