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The challenge of capturing the energy and excitement when illustrating for sport is difficult to achieve. Shreedhar Sutar’s illustrations not only achieve it but also appeal broadly with an optimistic tone. He dwells on his techniques of maintaining that energy in each sport star while bringing character to life. He takes us through his processes.

Energy

Step 01

Draw on a paper sheet to get the hint about the main force and structure of the drawing. Later took the rough drawing to Photoshop and starts working on light source and shadow in outline with the help of Wacom tablet.

Energy

Step 02

With calligraphy brushes applied basic shade for a base colour. Here it’s better to know a grey scale in detail, as the skin style will be very important for the final output. Skin tone is prepared by overlapping of multiple layers, which makes skin look more realistic. Used the same process for the hairs & clothes too, using dark and middle tones with some highlight. For beard used stippling style to get the realistic feel using both mouse and pen tablet.

Energy

Step 03

The clothes are as important as skin to create that realistic look. Drapery and fold have been achieved by creating shade and highlight. For bright reflections kept the path open with white colour. To make the clothes more appealing also embedded logo and text on the T-shirt. Also kept a single light source to create the depth in illustration. Used the same process for other objects like a hockey stick, socks and shoes. To work further merged all layers into one.

Step 04

Used smudge tool at 60% opacity to create stokes which shows the force behind the action. Outlines may look a bit blur after using the smudge tool, so created a black outline around to maintain the sharpness. Additionally applied a motion blur effect to half of the image to achieve speed.

Step 05

To make the illustration more believable used the watercolour splatters, droplets, flow and strokes to portray the sweat, as it would be an important part of the illustration. Applied watercolour flows and white spatters to merge the background and the character. Then finally applied shadows to create the depth.

Step 06

The final illustration achieved.

Published in Issue 28

This Illustration Special is best to know why and how illustration as a popular medium is taking the design world by storm! From evolution of illustrations to its place in the world today, renowned designers and illustrators like Abhishek Singh, Mukesh Singh, Archan Nair, Alicia Souza, Raj Khatri with some international talent such as Fil Dunsky from Russia, Iain Macarthur and Richard Field from UK, who live and breathe illustration, would be the right people to gain some insight from. With many more talents to explore with great insights and excellent techniques, again a fully packed issue is waiting to amaze you!

 

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Creative Gaga - Issue 48

 

For an artist, the images you grow up with, linger on for long. As you grow, you think of recreating them, basis your understanding and expertise. That’s exactly what designer Sandeep Menon does with a traditional image he has grown up with. He gives it a twist and renders it in a new form. He explains how.

Traditional Influences

Step 1

Collected reference as the first step. Looked to some of these traditional images while starting the project. It’s a good practice to go back to reference images while recreating something.

Step 2

Started by doing some head studies. These were just explorations of the mask and an exercise to get into the world of Kathakali. The attempt was to achieve something that was semi-realistic in style.

Step 3

Decided on the final sketch. Started by drawing the heads and the rest of the body evolved. Since the character had multiple heads, it seemed natural to give it several arms.

Step 4

Started with a black background. Black would bring out the vibrant colours and the gold accents against a dark background.

Step 5

Next, the background was given a gradient wash, so that it feels like the light source was on the top. Gradient tool was used for the purpose.

Step 6

Scanned the sketch and dropped it on the background, on a Multiply layer.

Step 7

Started blocking in solid colours. Not really focussed on the rendering but got the colours right at this stage. Used a simple solid round brush.

Step 8

Established a light source on the top, slightly towards the left. Started rendering the character by using a combination of brushes. To push the coolness in the shadows, added a little bit of blue to all the shadows.

Step 9

Since the main focus lay on the heads, zoomed in and started working on them. It’s important not to add details all over the image but save it for where you want to lead the viewer’s eyes.

Step 10

To give highlights to the gold material, used the colour dodge tool. Set the highlight mode to 15%.

Step 11

Arrived at the final image. Note that a shadow was added to the base to ground the character. Also, the painting style changed from the centre, where it was detailed to the base, where it was loose and very rough.

Published in Issue 15

In this issue, we invited leading Gaming professionals to share their inspirations along with their suggestions to improve the Gaming Art in India. Featuring some of the big names of Gaming Art like Vinay Vikram Singh, Sandeep Menon and Neeraj Menon along with Internationally renowned Russian studio, ‘Grafit Studio‘ and many more talented creatives. So, go ahead

 

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CURRENT ISSUE
Creative Gaga - Issue 48

 

Meditation, Motivation and Manifestation are the 3Ms that Lovely Kukreja, relies on while illustrating. Taking us on step-by-step approach through his painting Goddess Durga, he explains the basic guidelines that play a pivotal role in the final outcome.

Meditation

Nowhere related to the spiritual practice, meditation, here is the thought process, creative thinking before starting any project.

Step 1

Great ideas start as random scribbles (thumbnails, rough drawings and armatures). This will help in deciding the posture angle and composition. While doing these initial sketches, it’s important to mull over the subject aka meditate to set the mood; the vital areas to focus on to bring in freshness.

Step 2

Once satisfied with the sketch of Goddess Durga, start blocking tones in the grey-scale mode with the basic air-brush. You don’t really have to go fancy by trying several textured brushes. Just do the basic block-in while keeping the area to be focused well-lit.

Step 3

Convert your painting to RGB mode and start adding colours on a layer overlaid on it. Choose colour palette as per the theme. For the Goddess Durga painting here, I chose the unsaturated soft shades. Close your eyes and try to see the picture you have in your thoughts.

Tip

Stay away from textured brushes as it may blur the edges of your drawing.

Motivation

Never search for style, but study. This is where research comes into the picture; the motivation gained from creative intuition, studies and reference materials. At this stage, it is important to collect facts about the subject of creation.

Step 4

Once the basic look and the feel of the painting is established, bringing the volume on each object can begin with the direction of light decided in the very beginning. At this stage, it is important to collect facts about the subject of creation.

Step 5

Detailing the elements e.g. water, foliage, trees and grass. Motivation is the key, to paint better with each stroke passing.

Step 6

Now it’s time to break the barriers and go beyond the sketch. After deciding the intricate details (cloth texture, ornaments, fur and hair), paint over the sketch on a new layer with free-hand for each subject.

Tip

If you are in process of learning to paint, try not to use any image.

Manifestation

It finally boils down to manifesting all the effort, knowledge and studies into strokes of brush applied. This is when you bring ideas to life. Those final touches, elaborating it with all those tiny details is vital to make it your personal piece of work.

Step 7

The working area is closed and fine details are added to each object after thorough research.

Step 8

Tonal values, sharpness and colour balance is adjusted.

Tip

Stay away from textured brushes as it may blur the edges of your drawing.

Step 9

Adding foreground elements gives a sense of depth to the scene. Elements like foliage, leaves and any life-full character create liveliness.

Tip

I suggest you to always keep the subject close to its originality. You are allowed to bring freshness while you keeping it intact within logical boundaries.

Issue 40-Motion Graphics Special

Published in Issue 40

We all have favourite TV shows and we passionately discuss the stories and characters of it. But sometimes, we tend to ignore the channel and its branding. Now with many different channels to choose from, we are experiencing many new branding overhauls to grab the audience’s attention. In this issue, we focused on Motion Graphics design and people behind some awesome channel rebrandings. If you are interested in moving design or animated content then this issue is a must-read for you! So go ahead and order your copy or subscribe if you want to keep receiving your regular dose of inspirations!

 

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Creative Gaga - Issue 48