Story-boarding is not just creating beautiful pieces of art. Instead it is presenting ideas and content in a strategical & comprehensible style. Saumin Patel tells us more.
An illustrator at heart, Saumin started out professionally by joining an animation studio creating online cards. Eventually realizing his plus points, he decided to manage the backstage of animation, which is designing and illustrating for the animated projects, also known as story-boarding.
What is story-boarding?
As the name suggests, it is a story told through multiple frames in a visual manner, defining an entire process in detail. Used for animated films or even shooting a scene in a movie, story-boards help the director in streamlining his vision and allow the team to align themselves with this vision to achieve the desired result.
Story-boards are not just pretty pictures, they are the shots which supposed to evoke certain emotions and enhance the story, conveying an overall mood but could be subjective to each individuals’ interpretation.
Every element used in here becomes a character, be it fire, wind, trees, water or rocks, thus becoming a definitive source of information about what the scene is going to be like. In short, it is a manifestation of the creators’ thoughts through tangible elements.
Story-boarding puts forth the anticipated difficulties and helps in deriving solutions for the scene’s smooth-sailing.
The beauty of a story is that it can be expressed by different directors in their own unique style. So as a storyboard artist, it is essential to convey the essence of the director’s idea and vision in a clear-cut manner through these frames.
Story-boarding for advertisements is a bit different from that of films. Advertising is all about presenting to the client, hence the story-board needs to be completely finished and aesthetically appealing. Whereas for a film, it is about clear communication of ideas from the director to the entire team, showcasing the flow of the sequence to build the expressions and the mood. Beauty and aesthetics take a bit of a backseat in this case.
An Artist’s Individual Style
Saumin’s style is mostly comic, giving a lot of details about layouts and backgrounds, thus making it simple and easy for the entire team to execute the shoot. For him, the excitement is more about brainstorming and presenting ideas and options to the directors rather than drawing the boards out. His style and work culture helped him carve a niche for himself in this sector and got him working for some of the reputed names in the film industry like Ashutosh Gowariker and Sriram Raghavan to name a few.
A big fan of director Sriram Raghavan, Saumin along with his friend created an original graphic novel for the promotion of Agent Vinod, published by Westland Publications Ltd.
For Raghavan’s Andhadhun, Saumin has worked on a few key sequences, creating boards in his own style to function as inspirations and concepts for the sequences. He has also created promo images for the Bollywood blockbuster Stree and has had the opportunity to storyboard a song and the climax sequence for Vikas Bahl’s Super 30.
Words of Wisdom
There is learning at every stage.
Before story-boarding, it is necessary to study and understand films, television shows, comics, performing arts or any other subject that needs to explore. Reading fiction and non-fiction adds up to the knowledge base of an artist, thus helping him in expressing his work better.
Published in Issue 45
When celebrations are all around for the new year, everyone is curious about what this new year will bring. So, the rounds of looking back to the past year and trying to predict the new one starts. We started the same exploration through this issue by reaching various experts for their take on the trends for their respective fields. So, go ahead.
Order Your Copy!