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Whether a mystery is intriguing or not depends a lot on how you tell it. “Abstract ideas, when combined with the correct medium, give rise to captivating artworks” says illustrator Saloni Sinha. She shares some secrets on how to attain the idea-medium sync.

Saptan Stories, Illustrative Story
Saptan Stories, Illustrative Story

It’s a no chicken or egg analogy.

The idea comes first. Period. The medium gives a vent to portray the context like in ‘Skating Glory’, an installation made for NID Bangalore’s annual fest. For this artwork, illustrations using poster paints were made on corrugated sheets which were later cut into skateboard shape so as to give it a fun and raw college-like look.

Skating Glory
Saptan Stories, Illustrative Story
Saptan Stories, Illustrative Story

At times, the medium participates in the idea as in the case of the glass etched illustration ‘Evolve’. The creature that is depicted is embedded rather than staying in its free form, implying the translucency of the creature’s existence.

Evolve
Cornucopia, Event Poster

Mix it up to sort it out.

Mixed media works best when it comes to abstraction of ideas. The traditional style of inking, when later coloured digitally, helps give the artwork a modern philosophical look. The idea in ‘Escapism’ is all about observing, guarding and the dilation of these when observed from a different perspective. And the digital aspect, like the hazy boundaries and the surreal surroundings, help dramatise the theme.

Escapism
Amogh Symphony - IV, Album cover art
YSP - Chaos // Despair, Album cover

A mix is also noticeable in ‘Droid in Process’ that has an illustration against a digitally created futuristic background, giving it a unique appeal.

Silver Tears - Ensnared, Album cover

While working with mixed media, it’s important to not let the medium disrupt your idea. The medium should enhance the thought. Like in ‘Profanity’, digital tones of light and dark are used to showcase the power of the illustrated dark lord.

Profanity
Eastern Ghats Wildlife Society, Branding and Educational Posters

Colour code the thoughts.

Though colour patterns vary from medium to medium, the basic fact remains that colours are selected keeping in mind the mood of the context. The saturated ones suggest vigour and powerful ideas as in ‘Bloom’. The creature’s bright green dress gives a vive of purity and harmonistic perspective of nature. Her bright red hair gives the feeling of passion and joyousness that nature has to offer.

Bloom, depicts the comfort and the bloom of the nature

On the other hand the dull colours talk about the subtleness or the illusive nature of the idea. ‘The Grand Escape’ stays in the grey zone to highlight the underlying theme. The artwork suggests the collision of thoughts in an abstract way which leads to the breakfree of a mind that then spreads into a different zone.

The Grand Escape
Practo, UI/UX

Symbolisms, metaphors and analogies are also mediums.

Abstraction involves disguising plane visions. The illustrated mechanical hand of Frankenstein in ‘Bring Me to Life’ depicts the conscious idea of destruction by our own. But the twist in observation here is that the posture of the hand is not threatening in any sense, rather it is playful. The ugly mechanical hand tries to explore the beauty of the butterfly in a way he isn’t aware of, as he was never taught the love behind his creation. The underlying thought, is that the ugliness we are born with doesn’t traverse if the love and care doesn’t.

Bring Me to Life

In ‘Tangles of Insanity’, the creature, its lustrous outgrowths and the dark background can be compared to the mind and mood of the artist who spreads the brushes rhythmically on to the canvas, creating a dilemma for itself and plunging into the dark corners of the mind in order to deviate from the general consciousness.

‘Not Just Another Pill’ uses the analogy of the effects of drugs. The random outburst of mixed feelings out of the node and the hand symbolises, it’s about how you take the pill and adapt it in your life. Metaphorically, it’s the feel good factor of a thought or an idea incepted in the human mind.

Not Just Another Pill
Jeepers Creepers - In Constant State of Crisis, EP cover

Published in Issue 14

Digital Art Special! We dedicated this issue to Digital Art where we explored the connection between our dreams and imagination and how the flexibility of technology can be used to document that. In his exclusive article, Android Jones explains the broader perspective of digital art. Featuring Ankur Singh Patar, Archan Nair, Harshvardhan Kadam and Aamina Shazi Arora, every article discusses how each of them has an individual way of working and yet they all look at life beyond the obvious to appreciate it’s beauty.

 

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Creative Gaga - Issue 49

 

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Sushant Ajnikar, who draws inspiration from the vivid display of India’s art and colours, a designer in his office, but a parent to homeless little pups on the road, a caring husband to a worried wife, and a rider on the road enjoying the journey, the beauty that is riding. He rides to connect to the reality and more to meet his four-legged friends on the road, who are forgotten and ignored. Hop on to enjoy the ride further!

The design is an amalgamation of myriad things born out of the million thoughts crammed in our gray cells, where inspiration takes form in different shapes and colours. You feed your brain with all kinds of stimuli and when you sit down to churn out something, you never know what may actually trigger a thought. Riding gives me every stimulus I may ever need and hones my creativity. And that’s just one thing.

1. Riding Teaches To Be Disciplined

Both on and off the road. Discipline doesn’t curb creativity but it makes sure that what you intend to do, actually sees fruition. Learn to have discipline in doing my research. Discipline in following a plan and going about it or atleast try to.


2. To Be Brave

Be brave enough to ditch routine, and take on a new route. Try something new. Learn something different.



3. To Be Flexible

I cannot ride with the assumption that my life’s going to be sorted with all the facilities I want. I have to be flexible enough to adjust to any kind of adversity or scenario or surprises. Bingo for design (a designer). Flexibility is creativity’s best friend and a creative person should always be ready to adapt.


4. To Get Hands Dirty and Be Humble

I cannot do 16,000 km without getting some elbow grease, without sitting in the mud on a hot summer’s day, drinking water from a tap. Similarly, I will never succeed as a designer if I don’t do the groundwork. I need to start at the bottom, to get to the very top. No shortcuts here.

5. To Accept Fears

I am human and being scared of the unknown is only natural. But I need to accept it so that I can resolve it. In design, if something is challenging enough to scare me, I should be able to address it, instead of sitting on it, pretending to be cool and making unnecessary mistakes, as no one likes a smartass who knows nothing.


6. Makes You A Keen Observer

I observe everything. I now notice things that I wouldn’t have earlier and there is such joy in observing. The more I observe, the better I am able to sketch my memories out, the more I am able to adapt them to the design, if at all.



7. Teaches To Embrace Failure

When you are on the road, you may have these goals that you set out to achieve. However, you may not see its fulfillment, and the reasons cannot be controlled. And that’s completely okay. The best part of failure is that you get a second chance to do it all over again. You know what to expect then, what to do or not do. The same applies to design rejection and failure is as much a part of this industry as glory is. I need to be able to accept, learn and move on. You almost always end up doing better.


8. Riding Teaches To Keep it Simple

Don’t complicate stuff. Ask any self-respecting designer what they think is the best design and simple will almost always being one of the words that will crop up. Simple isn’t boring, simple can be adventurous, simple can be fancy, simple can be exciting, simple can be anything, it’s just how simply you are able to convey or do what you want to do

Published in Issue 33

We all face it! But everyone has their own unique way to come out of it, in this issue we try to explore different ideas of handling the ‘Creative Burnout’. The most common of all was #travelling, through everyone do it in their own unique style. Like Luke Ritchie from South Africa finds the nature and mountains as the best source of inspiration while Sushant Ajnikar says riding his bike and meeting four-legged loyal friends, dogs, on the way is the best way to learn. So, pack your bags and don’t forget to subscribe your copy before you leave!

 

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Creative Gaga - Issue 49

 

For an artwork to be complete in an emotional and outstanding manner, characters and stories contribute as inevitable components. Danny Jose is a staunch follower of this theory, clearly evident in all his works.

Daaham, Malayali’s life
Naadodi, Malayali’s life

An engineer by profession but an artist and designer at heart, Danny has sketched for his entire life! The Internet and the online community of artists worked as a medium for him to polish his skills and gain confidence to step into the real world.

Characters-DannyJose-Feature-Creative-Gaga
Monkey Business

His journey began by illustrating medical procedures and scientific drawings for a journal. Alongside, he developed a taste for fine cinema only to realise that his illustrations had a major missing factor, stories. Once he incorporated these stories in his work, then came in his big break of being hired as a story-board artist.

Illustration for Dunzo.in
Characters-DannyJose-Feature-Creative-Gaga
Monkey Business

Constructing scenes and shots like in cinema and incorporating stories in them, Danny prefers to have characters in all his illustrations as they bring forth the emotional aspect of the scenario.

Illustrations for Sasken Technologies for their annual report

His personal projects serve as a platform for him to express his own design-style and storytelling. He very gracefully, transformed his explorations of shapes and poses into monkeys from different walks of life, defining his genre of art and style.

Illustration for Sasken Technologies for their annual report
Characters-DannyJose-Feature-Creative-Gaga
Monkey Business

With his clients reaching out to him for his way of art and story-telling, he uses this strength to his advantage to move forward. Believing in the core principles of mutual understanding, trust and respect in collaborative work, Danny is still on the hunt for his ‘A’ team to expand his work profile.

Characters-DannyJose-Work-Creative-Gaga
Monkey Business
Characters-DannyJose-Feature-Creative-Gaga
Monkey Business
Issue 44 - Creative Gaga

Published in Issue 44

Who doesn’t want to become famous, when everyone knows your name and especially for us designer, it is the basic dream every design student or young artist dream. But behind every successful studio, artist or designer there are stories of challenges, struggles and their unique solutions to these. With this issue, we interviewed many well-known names from the creative industry and found their different learnings and experiences behind making their own self as a brand. So, if you are looking to establish yourself as a brand in the creative market or already in the process of it, this issue is a must-read. Full of insights and inspirations from the best of the talents, this issue is waiting to reach your desks.

 

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Creative Gaga - Issue 49