How you see is what you draw.
You derive your mood and emotions from your surroundings. That’s how each element works for you. For instance, nature, for almost all of us is always beautiful and serene. So while painting landscapes and environments you tend to bring out spatial and ethereal feel in them. Of course, the concept plays a great part in determining the details. Similarly, many a times, the surroundings push your emotions to an extreme. That’s when your characters become dark and edgy.
The story decides the character.
The heart of the story should be the soul of the character. While the story acts like a container, the character is the content. They both work hand in hand to drive the narrative. Above all, aesthetics and clarity matters a lot. They complement each other if you feel the core of the story and bring the small nuances from it visually to the characters. A small gesture, which is appealing, can tell the entire story effectively.
Perspective is your camera on paper.
The world around us is in a 3D space. But we tell our stories through a 2D medium, like paper. That’s why one needs to use few tools to aid the narrative. The most important of them is perspective. It makes viewers’ attention focus towards a certain area in an artwork. Visually, perspective can be used to enhance storytelling, adding more dynamism to some parts. It can also mellow down certain areas to give importance to others. If used wisely, perspective can surely do a good job of conveying an idea.
Colours make your stories move.
Colours are the most dynamic part of an artwork. In the real world, they change so quickly that capturing the mood becomes quite challenging for an artist. One needs to learn colour behaviour and understand how it affects the viewer. The best way to go about understanding it is to paint from real life with traditional mediums. This increases your visual sense and helps you choose the right colours which can be later applied on the digital medium.
Relate to exaggerate.
You get best ideas for your character from the surroundings. First identify who, your neighbour, maid, postman, bus conductor, or people in a mall, resembles your character best. Then spot the characteristics, both in behaviour and appearance, which make them what they are. These are the qualities that can bring out the emotions. A good way to understand these features is to enact them out in front of the mirror. That way, you are able to absorb these qualities and translate them into your designs.
Be open and observant.
There is a storehouse of positive energy that surrounds us. It manifests itself through characters, images, stories and every element of nature. You need to keep your eyes and mind open to grab all of it. Ideas, imagination, aesthetics, colours, forms and everything else that make your visuals are born out of this energy. It is the key factor that gets translated into your visuals. Everything else is incidental.