From Bhavnagar, Gujarat, to completing his Bachelors of Commerce and Diploma in Visual Communication from Srishti School of Design, Art & Technology, Deval Maniar has been experimenting with type and wants to explore this area of design. Bored of the typical representation of Indian scripts, he took on a project, with a little help from a friend Malvika Tewari, which put him on the map.

A modern day twist of combining Japanese poems, Haiku and Gujarati script, ultimately resulting in interesting posters and a coffee table book. Bold colour, strong typography and charming poems are sure to catch the attention of almost everyone who looks at the posters. Two very dynamic, yet different cultures come together to create loud yet minimal art establishing a fact that art lies in almost everything around us, you just have to look for it.

An attempt to preserve and remind people of Gujarati literature through an age old technique of Japanese poets: Haiku. Deval combines these Japanese poems and Gujarati text into visuals that are modern and easily understandable.

Deval applies his knowledge of visual communication to create interesting posters and a coffee table book that is sure to revive the practice of Haiku and re-establish Gujarati script.

Published in Issue 32

If you are a recent graduate or about to finish your college then this issue may have answers to many of your questions. Like, how to get the best placement or the internship? How to present best in front of the interviewer? Which studio or agency to choose to start your career? How to work in a team or choose to be a freelancer? This issue has advice from many experts such as Ashwini Deshpande and Gopika Chowfla who gave the secrets of choosing the right intern for their well-known design teams. And on another hand, Rajaram Rajendran and Ranganath Krishnamani advise young designer to gain multiple skills and be the best at them. Also, recent MIT Post Graduate Vinta Jakkal shares her secret with which she grabbed the great opportunity of joining the Elephant Design, Pune team to start her career.


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Creative Gaga - Issue 51


You are going for rebranding, but are you sure that you have chosen the correct rebranding strategy? A custom fit for your brand’s need? Here, Brand Strategy Head at VGC, Ninee Rao highlight some of the recently chosen different strategies by few well know brands and how successful it was.

Well, Change is good especially when the look, feel and importance of a beloved brand becomes dated or is inconsistent with its changed context or intent. The brand attempting a new avatar should always extend its original essence unless it is a deliberate shift from an earlier negative connotation or such. Hence, the brand makeovers are essential whether it involve a slight refinement or a deep overhaul with a radical image shift. A brand image building exercise takes a long time and the attempts to refining or redefining it should be a result of a well thought out strategy that changes the customers’ perception holistically.

Functional Brands

Brands are sending out messages incessantly, about themselves, their vision, products and all the good-to-know things. However, this only lends itself to the joy which the communication/product or the ownership allows, there is no other delight unless the brand intends on pleasantly engaging with the consumer and that creates brand stories and a special connection, which doesn’t fade away easily. This exactly is what tips the balance in favour of customer delight over mere customer satisfaction.

Emotional Dynamics

VGC repositioned and rebranded the baby product brand, Baby Dreams by J.L. Morison. We first lifted the brand from its price-warrior-commodity competitive set by developing the brand concept of ‘Smart Love’, which emphasises that a parent’s love is not only about emotions, but also about making the right and smart choice for the child. This idea of Smart Love was clearly brought out in the tagline ‘The Smart Mom’s Choice’. Further, instead of just re-imagining the logo form, we also created two powerful visual assists – two mascots – Luv and Khushi, who evolved and grew with the child’s changing needs and across the brand’s vast product offering. The mascots were created as a key branding and communication tool that held conversations with the child’s mother through the product packaging and other in-store communication mediums.

Don’t throw the brand with the bathwater!

Every once in a while, a brand that is running on an even keel will decide that it needs to shake things up a bit by contemporizing its presence. The famous Tropicana repackaging debacle is a shining example of an overzealous redesign folly that overshot the basic needs of consumer brand cognition and familiarity. The new package design made a drastic departure from its earlier perfectly loved & accepted iconic ‘orange with straw’ and visual blocking of the stylised green, Tropicana logo, which was easily perceived on a supermarket shelf ready for off-take, to a modern simplistic asymmetrical design with no information hierarchy or clear brand semantics. Within days of the new packaging launch, the sales fell by a drastic percentage, for the sheer reason that consumers could not recognise their brand on the busy supermarket shelves!

Sometimes, changes in brand expression can be disastrous, especially when it has endeared itself to consumers in its visual appeal and taste, so much so that it is part of a collective consciousness. When Coca-Cola attempted to change its famous formulation to a new one in 1985 to spike its plateauing sales, it was met with considerable resistance and shock from consumers who had grown to love the taste and find comfort in its familiarity. Therefore changes that affect a signature brand promise and import are best avoided.

Brand Booed?

The Bélo, Airbnb’s new logo intended to be a symbol of ‘belonging’ was introduced in 2014 after a yearlong rebranding exercise. At first, everything was as usual but slowly things began to unravel because among other things the new Airbnb logo was nearly identical to the new logo of another, unrelated business and very soon people started to see other unmentionable things in the Belo. Among the frenzied social media reaction was a Tumbler page showing alternate uses for the logo, a host of parodies and even a song.

Of course, while this serves as a cautionary tale, it has to be understood that any abrupt logo or name change will draw varied reactions. However, over time these will wear off and the primary (hopefully) positive association will eventually come into focus. Importantly, what’s to be learned from this is that instead of reacting adversely, Airbnb sportingly acknowledged the logo parodies and even created and shared an infographic outlining the comparisons.

Baby Steps!

When making a change in brand expression, gradually shifting gear into a new avatar may be the way to go. So, a balance of evolution and revolution is a good strategy, however, many brands like Coke evolve their brands constantly with minute changes that are recognisable only to the trained eye. However, if there is a compelling strategic need to make a shift then traipsing around it, will have little impact. In this context, Google’s refreshed brand identity is a confident move that carries the core of the existing brand personality while simplifying, articulating and expressing it more vividly. Further, Google as an identity idiom has always been so completely dynamic and shape-shifting that it will perhaps never lose relevance.


There really is no one route that will work for every brand, it has to be a holistic strategy that visits every aspect of the brand essence and evaluates the right rebranding fit. New age brands have to be responsive and relevant to the changing consumer realities or they will have to create spaces for themselves that just transcends it all.

Published in Issue 34

This is a rebranding special issue focused on finding the answers to some of the basic questions like what is the right time for re-branding? or what all needs changing and how exactly? We interviewed some of the best branding studios like Landor Mumbai, Elephant, VGC, Inchwork, and many more. If you are considering rebranding or want to learn more about the art of doing it then this issue is a must read. So, go ahead!


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Creative Gaga - Issue 51


The current generation has been a witness to the considerable shift and scale of change in technology and, thus, the way in which we do things. This is a time when there is little distinction between reality and fantasy, as the line in between is geting blur.

With so much ease, one can instantly send a photo, miles away; speak to someone, face-to-face; communicate effectively with multiple people, or even get things delivered at the doorstep. Which such ease at our fingertips (literally), design becomes highly essential, as it complements how we carry out these tasks and, so also, what we choose do, itself. Bearing this context in mind, here is a brisk and swift compilation of the most relevant and likely trends that are taking over in the digital dream, this year, 2017.

1. Mobile-oriented

As we go further and further with “better, faster, smarter” phones, everything digital is constantly being designed to increasingly improve, enhance and suit people’s experiences on the “small screen” (which, notably, has conveniently shifted from being a reference for the television to being one for a phone). This is primarily owing to the accessibility of just about everything through the phone, be it all-inclusive websites, videos, sharing, etc. something that was unimaginable until only a few years ago.

Image source: https://fugenx.com/

2. A Rise in Interactivity and Motion Design

There seems to be a continuing, urgent and immediate need to include interactivity as a basic component in design, mainly because that’s what currently appears essential in order to hold an audience’s attention. Motion design is one powerful way of doing that, keeping the viewer/user engaged and interested with movement across the screen, while appealing images may be eye-catching but insufficient.

Image source: https://www.awn.com/news/9-squares-collaboration-explores-motion-design

3. Ultra Minimalism and Bold & Crisp Fonts

With so much information, out there, ultra minimalism that delivers the content quick and effectively seems to be the ideal trend to go by. Simple, neat colours; bold, clear fonts, and the likes, just enough to convey a message in an appealing yet straightforward and no-nonsense manner look to be just the need of the hour.

Image source: https://parananoivas.com.br/letras-para-os-convites.html

4. Need of Relevant Imagery

Visuals are gaining power over the written word. In a world with abundant photos for almost everything, pictures nowadays speak even “more than a thousand words”. No more needs to be written to depict the core idea or essence of a concept at a glance, isn’t it? What cannot be said in a thousand words, can be conveyed through a visual.

Image source: https://thefutureorganization.com/visuals-important/

5. An UI and UX focus

Everything is going “App”. Be it groceries, clothing, and everything in between and beyond. With this influx of online purchase, it becomes all the more necessary and important to focus on UI and UX, as that is what will determine the user’s experience through the process of usage.

Image source: https://www.conceptualize.ae/
Creative Gaga - Issue 51



The best thing about history is the way it carries on into the future and is always part of our present. For a country like India where culture and history define who and what we are, mythology is one aspect that presents designers with a hook. Story telling, science or self-exploration, mythology can be anything you want it to be, believes designer Pooja Bhapkar. More on her contemporary interpretation of the subject.

It’s all about drawing in line!

For many designers, certain elements work very well as they see beyond it, compared to the rest. For example, working with lines and using a strong sense of symbolism. Changing the texture of lines changes the meaning. Lines can be rhythmic, straight, diagonal, zig zags, swirls, rounded shapes, decorative forms and of course a bit of abstraction. An abundance of repetitive patterns create rhythm and adds drama to the overall artwork. It’s like a line puzzle where the audience submerges to follow the lines and read the overall picture. This gives the artwork a flowing energy.

Shravan Calligraphy. Inspired by nature and the aromas that dictate our mood, calligraphy dedicated to the fifth month of the Hindu calendar is depicted using fine lines.

Modernise the traditional.

India is laden with a rich cultural history and if young generations really try and understand the Hindu mythology, one can see how informative and scientific it all is. One does not have to be religious or too cultural to get inspired from such works. A way to look at mythology is to represent them as energies and interpret it in a manner that you understand. Then, it’s a matter of recreating that representation in a creative form, whether one creates Gods and Goddesses as superheroes or contemporary forms that become a story for everyone to understand. Discover the core and the rest will fall in place.

Solah Shringar. This beautiful design portrays Goddess Lakshmi In ‘Solah shringar’ or sixteen adornments of a Hindu bride on her wedding day.

Practice colour coded designs.

For those who use symbolism in their designs, colour is extremely important. And to help separate and space out intricate designs, colour helps to segregate portions, only enhancing the narrative of a design. They also aid in enhancing the rhythm and deciding the eye direction by making the focus more prominent.

Published in Issue 30

Since stone age when individuals were identified with certain marks, branding has always been an integral part of our life. It has evolved so much that now every success can be connected to branding behind it, but still brand creation has always been a mystery. We interviewed the branding experts, who are behind some of the very successful brands. Lopez Design, have shared the story behind the recently developed branding of ‘Bihar Museum‘ and also shared the basics of brand creation in the ‘Gyaan’ section. Young visual communication designer like Shaivalini Kumar shared her love for the letter design while experienced graphic designer Anup Shah dwelled upon his passion for calligraphy. In brief, this issue is packed with branding and typography design experts who can help you solve the mystery of the brand creation! Order your copy today!


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Creative Gaga - Issue 51